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<channel>
	<title>lemingzhong</title>
	<link>https://lemingchung.com</link>
	<description>lemingzhong</description>
	<pubDate>Mon, 20 Jul 2020 00:29:41 +0000</pubDate>
	<generator>https://lemingchung.com</generator>
	<language>en</language>
	
		
	<item>
		<title>2020_My_doctor's_prescription_for_my_pollen_allergy</title>
				
		<link>https://lemingchung.com/2020_My_doctor-s_prescription_for_my_pollen_allergy</link>

		<pubDate>Sat, 18 Jul 2020 02:04:42 +0000</pubDate>

		<dc:creator>lemingzhong</dc:creator>

		<guid isPermaLink="true">https://lemingchung.com/2020_My_doctor-s_prescription_for_my_pollen_allergy</guid>

		<description>
	My doctor's prescription for my pollen allergy is to let the light illuminate everywhere
	
	

	
2020



	Video
	This is a three-character monologue about be-ing, bee, and bees.
 
As the lines between the body, self and the external world blur,&#38;nbsp; we are left to ponder the potential transformation of their internal conflict.&#38;nbsp;It poses the question of how the internal struggles of beings will evolve in a world where boundaries are no longer distinct. What shape of the politic will this take, and how will it ultimately manifest?&#38;nbsp;It is a contemplative exploration of the fluidity of identity and the interplay between the individual’s internal body and the external collective.




	Script
The last thing it told me was ...

︎Cell
After inhaling pollen
I feel the ground level rise
A thin-winged sound piercing into me
‘rustle’ ‘creak’ ‘thud’
‘rattle’ ‘patter’
Friction. tearing. collisions.
I am so close to my countless kindred me
the countless selves
Degranulation is ongoing
I send a signal
followed by another signal
I dive into the street awash above my head
the street where I often migrate in my remembrances
It springs to mind near my end:
The bricks are slightly warm and the air is cloudy 
I obey the will of the law
and secret and meticulous rules
to follow fiddle a life-silhouette

When you look at me 
It is like you are not looking at a human being
More like looking at a bee
But compared to bees
It is more like looking at inanimate matter
︎
I’m a bee allergic to pollen
I’m bees allergic to a bee
︎
that’s why when we are talking,
there is always an echo inside the body.’

︎Front Leg
flaring hindleg
like a rubber band cut in an instant
seemed all at once to loosen itself into the background

I heard an echo from inside my body
from an inch above
to an inch under

The fragmented and familiar sidewalk
becomes a ring-shaped wound
‘Patter’
glazed with sky color

I am still acting normally as I always have
As is the wing to my right 
And antennas ahead 
We become alienated remains of the body

The firmament is burning with blue light

︎Another plural me
This ritual will not end for now
Is anyone thinking of joining us?
even I only exist in my opposite

Moved by rules
The rules are driven by the laws behind
At the back of the back
What started the rules?
What was written in the genes?

The ring-shaped sky




</description>
		
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	<item>
		<title>2020 _Intermediate_State</title>
				
		<link>https://lemingchung.com/2020-_Intermediate_State</link>

		<pubDate>Sun, 19 Jul 2020 23:04:38 +0000</pubDate>

		<dc:creator>lemingzhong</dc:creator>

		<guid isPermaLink="true">https://lemingchung.com/2020-_Intermediate_State</guid>

		<description>
	Intermediate State
	
	

	
2020

	Naturally dead bees, beeswax, larb soap, tile, plastilina
	










Sterile green tiles filed with beeswax as a surreal shower room. Bees white shadows echo hive motion and hierarchies, mirroring human societies in flux. The soap sculpted to resemble an ocean floor &#38;amp; children playground, as a refuge within a sanitized expanse. A artificially molded beeswax bar cradles a few dead bees.




&#60;img width="2268" height="3592" width_o="2268" height_o="3592" data-src="https://freight.cargo.site/t/original/i/90e20f67bde21c5d21cc7d73ce2774a734030c641de5d63b3fea630f1619be24/review-work-1.png" data-mid="200530548" border="0"  src="https://freight.cargo.site/w/1000/i/90e20f67bde21c5d21cc7d73ce2774a734030c641de5d63b3fea630f1619be24/review-work-1.png" /&#62;



</description>
		
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	<item>
		<title>2019_You_can_Stay_at_My_Church_and_I_will_Take_your_House</title>
				
		<link>https://lemingchung.com/2019_You_can_Stay_at_My_Church_and_I_will_Take_your_House</link>

		<pubDate>Sun, 19 Jul 2020 23:42:20 +0000</pubDate>

		<dc:creator>lemingzhong</dc:creator>

		<guid isPermaLink="true">https://lemingchung.com/2019_You_can_Stay_at_My_Church_and_I_will_Take_your_House</guid>

		<description>You can Stay at My Church and I will Take your House 
	
2019



	



	Clay, cinder block, wood, 
bee, steel bar, PVC pipe, steel 
mesh, industrial LED light
	The robotic arm's movement embodies the limbo of a mid-stage protest. It grasps, protect, and hesitates, mirroring the tension between defiance and uncertainty moments. While the robotic form suggests sci-fi battles of the future, a closer look reveals internal conflict. Allergic reactions bloom on the arm's surface, symbolizing the external forces that trigger internal discord. This battle between self and other plays out beneath the harsh glare of warm industrial LED lights, forcing viewers to physically stoop and confront the complexity within.
 


&#60;img width="2178" height="1452" width_o="2178" height_o="1452" data-src="https://freight.cargo.site/t/original/i/43a49ba2f8adde0aab225be5ba65fb39bf2be3a6c179a3a26d94f7286fbdadb1/1.png" data-mid="200599957" border="0"  src="https://freight.cargo.site/w/1000/i/43a49ba2f8adde0aab225be5ba65fb39bf2be3a6c179a3a26d94f7286fbdadb1/1.png" /&#62;


	&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/d646bf8bdf6f60bdb23753993999e98d467ebc7618455462c89693c37b228888/2.jpg" data-mid="77791271" border="0"  src="https://freight.cargo.site/w/1000/i/d646bf8bdf6f60bdb23753993999e98d467ebc7618455462c89693c37b228888/2.jpg" /&#62;

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	<item>
		<title>2019_Over-ture/true</title>
				
		<link>https://lemingchung.com/2019_Over-ture-true</link>

		<pubDate>Sun, 19 Jul 2020 23:52:14 +0000</pubDate>

		<dc:creator>lemingzhong</dc:creator>

		<guid isPermaLink="true">https://lemingchung.com/2019_Over-ture-true</guid>

		<description>Over-ture/true
	
2019



	



	3-channel video, flashing projector
	Over-Ture/True uses news, machine, and game perspectives in a narrative featuring a contact tracing security device. The work is marked by a sense of overwhelming and confusing anxiety as the invisible enemy becomes omnipresent in society.   How can individual seek refuge for their self-survival, and re-process their relationships under the digital statepower?&#38;nbsp;
The conceptual diagram for the work was created prior to the narratives.

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&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/06d3e89000ca60e9de3f08df4bb45732f80acb438e7f67997cf84e77b30ee156/doc4-.jpg" data-mid="77791781" border="0"  src="https://freight.cargo.site/w/1000/i/06d3e89000ca60e9de3f08df4bb45732f80acb438e7f67997cf84e77b30ee156/doc4-.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>2018_A_Guide_of_Renaissance</title>
				
		<link>https://lemingchung.com/2018_A_Guide_of_Renaissance</link>

		<pubDate>Mon, 20 Jul 2020 00:13:42 +0000</pubDate>

		<dc:creator>lemingzhong</dc:creator>

		<guid isPermaLink="true">https://lemingchung.com/2018_A_Guide_of_Renaissance</guid>

		<description>A Guide of Renaissance
	
2018


	Video
	How to give a life back to a killed fish? The video tutorial shows you how a fish was chopped, analyzed, and remodeled in a tone when people will find in urban planning presentation.
 The fish market shop owners, who are mostly immigrant tenants, are facing the loss of their homes and businesses as real estate developers and local governments reshape their affordable spaces into more upscale neighborhoods.  The video ends with a glimpse of the sky, which represents the everyday lives of these tenants and the fish. 

&#60;img width="3192" height="2124" width_o="3192" height_o="2124" data-src="https://freight.cargo.site/t/original/i/3fdc216b522152be144a2ccf48c09f5f38a6c72ad6c29721647172c02f02a044/Screen-Shot-2020-07-20-at-2.24.11-PM.png" data-mid="77879208" border="0"  src="https://freight.cargo.site/w/1000/i/3fdc216b522152be144a2ccf48c09f5f38a6c72ad6c29721647172c02f02a044/Screen-Shot-2020-07-20-at-2.24.11-PM.png" /&#62;&#60;img width="3606" height="2400" width_o="3606" height_o="2400" data-src="https://freight.cargo.site/t/original/i/b2d3cfd040365b8b9ef953bcc1ed6da0de5dd198888b098aafbb95b065b3526d/Screen-Shot-2020-07-19-at-5.23.52-PM.png" data-mid="77792525" border="0"  src="https://freight.cargo.site/w/1000/i/b2d3cfd040365b8b9ef953bcc1ed6da0de5dd198888b098aafbb95b065b3526d/Screen-Shot-2020-07-19-at-5.23.52-PM.png" /&#62;


</description>
		
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	<item>
		<title>2017_Shallow_Grass_and_Deep_Clouds</title>
				
		<link>https://lemingchung.com/2017_Shallow_Grass_and_Deep_Clouds</link>

		<pubDate>Mon, 20 Jul 2020 00:29:41 +0000</pubDate>

		<dc:creator>lemingzhong</dc:creator>

		<guid isPermaLink="true">https://lemingchung.com/2017_Shallow_Grass_and_Deep_Clouds</guid>

		<description>Shallow Grass and Deep Clouds
	
2017


	Photography, screenpriting, digital printing, lenticular printing
	The book reflects on the inner conflicts of social hierarchy and how narratives shape the landscape. It presents a collection of tree portraits from around West Lake in Hangzhou, a site steeped in history and a popular tourist destination. These trees, a dominant yet often overlooked component of the lake's landscaping, are brought to the forefront, questioning their usual absence in typical tourist imagery.

Interwoven throughout the book is a transcript of a  six-month dialogue between myself and a friend. Our exchanges are filled with abstract questions, serving as a means to navigate each other's locations and temporal contexts. Despite the initial miscommunications and struggles to fully comprehend one another, the conversation ultimately ends on the day they finally meet in person.

&#60;img width="2106" height="1596" width_o="2106" height_o="1596" data-src="https://freight.cargo.site/t/original/i/c8b140bb320e34084d238eb18734545077a1b135fc73709ee460869d601a8532/Screen-Shot-2020-07-19-at-5.36.11-PM.png" data-mid="77792717" border="0"  src="https://freight.cargo.site/w/1000/i/c8b140bb320e34084d238eb18734545077a1b135fc73709ee460869d601a8532/Screen-Shot-2020-07-19-at-5.36.11-PM.png" /&#62;&#60;img width="2948" height="2234" width_o="2948" height_o="2234" data-src="https://freight.cargo.site/t/original/i/4d84f73527dc993c1e6602790c9d0f300b9c631061774c076ad47ff22c163c1c/Screen-Shot-2020-07-19-at-5.35.18-PM.png" data-mid="77792720" border="0"  src="https://freight.cargo.site/w/1000/i/4d84f73527dc993c1e6602790c9d0f300b9c631061774c076ad47ff22c163c1c/Screen-Shot-2020-07-19-at-5.35.18-PM.png" /&#62;&#60;img width="2948" height="2234" width_o="2948" height_o="2234" data-src="https://freight.cargo.site/t/original/i/9a9e2a4ed3e40e334ef70eb1b5973563a169a29b71e41ccad8fbbc0987d83d48/Screen-Shot-2020-07-19-at-5.35.28-PM.png" data-mid="77792719" border="0"  src="https://freight.cargo.site/w/1000/i/9a9e2a4ed3e40e334ef70eb1b5973563a169a29b71e41ccad8fbbc0987d83d48/Screen-Shot-2020-07-19-at-5.35.28-PM.png" /&#62;&#60;img width="2950" height="2234" width_o="2950" height_o="2234" data-src="https://freight.cargo.site/t/original/i/a4ce571f1b1d5fdc171c8feb2722a0d534575b989a8145b8a111ee8b3687c2cc/Screen-Shot-2020-07-19-at-5.34.36-PM.png" data-mid="77792721" border="0"  src="https://freight.cargo.site/w/1000/i/a4ce571f1b1d5fdc171c8feb2722a0d534575b989a8145b8a111ee8b3687c2cc/Screen-Shot-2020-07-19-at-5.34.36-PM.png" /&#62;
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