2019

3-channel video, flashing projector

Over-Ture/True uses news, machine, and game perspectives in a narrative featuring a contact tracing security device. The work is marked by a sense of overwhelming and confusing anxiety as the invisible enemy becomes omnipresent in society. How can individual seek refuge for their self-survival, and re-process their relationships under the digital statepower? 

The conceptual diagram for the work was created prior to the narratives.